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1/9/2006 关于背景音乐 (一)1.羚羊过山岗
94年,我上小学3年级.不知道一世从哪搞到了这盘专辑，磁带版。那时候自然是听不懂的。到现在都不敢说懂了她和他的音乐。《阿姐鼓》里每首曲子都值得玩味、思考和纪念。但是羚羊过山岗，仅仅是单纯的喜欢，而且一喜欢就是十年之久。画面感很强，很有张力，能够触到灵魂深处的声音。
那一天羚羊过山岗
回头望
回头望 清晰的身影 很苍凉
天那么低
草那么亮 亚克摇摇藏红花 她：朱哲琴。最后一次听到她的消息说是要去非洲。 想留住羚羊 不知道是否还在路上。继续追逐着自己的信仰。 那一天羚羊过山岗 他：何训田。最近听到他的作品是《波罗密多》。 回头望 回头望 零零散散的，仍未听完这张专辑。〈琵琶行〉很 清晰的身影
很苍凉 震撼，力度，妖娆和叙事。〈春歌〉返璞归 天那么低 真,无门禅师作词. 草那么亮 低头远去的羚羊 过了那山岗 2.MY WAY CHARA版的。源于燕尾蝶。比起猫王版的，味道已是完全不一样了。
And now the end is near
And so I face the final curtain My friends I'll say it clear I'll state my case of which I'm certain I've lived a life that's full I traveled each and every highway And more much more than this I did it my way Regrets, I've had a few And then again too few to mention I did what I had to do Though I saw with through without exemption I planned each chartered course Each careful step along the by-way And more much more than this I did it my way Yes there were times I'm sure you knew When bit off more than I could chew But through it all, when there was doubt I ate it up, and spit it out I faced it all and I stood tall And did it my way I've loved, I've laughed and cried I had my fill, my share of losing And now as tears subside I find it all so amusing To think I did all that And may I say not in a shy-way Oh no, oh no not me I did it my way For what is a girl What has she got? If not herself, then she has not To say the things she truly feels And not the words of one who kneels The record shows I took the blows And did it my way 12/7/2005 旧东西 (三)又开始听林肯了,以前乐队的人说不喜欢这种电子味道浓重的摇滚,我不太介意.于我,所有的都只是些声音,只是质地不同,给我的感觉不同罢了.喜欢的是林肯双主音的形式.一直觉得年轻的声音也可以很性感.
TORI AMOS这个苦命的女人.小心翼翼的吐气发声,生怕亵渎了生命中这种最原始的疼痛,和少许的欢喜.发现一首喜欢的Mother Revolution.
我一度很迷Chara的声音,从PICNIC开始,披着黑乌鸦羽毛的天使.很诡异的嗓音,天真又妖娆.听过很多评论,最让我费解的是,有人说chara的声音和男人忍精不射的感觉有异曲同工之妙.orz~~~~.准备把SPACE的音乐换成Yan-Town中的my way.
还有一些单曲.<in my secret life>:"I smile when I’m angry,I cheat and I lie.I do what I have to do,To get by.But I know what is wrong,And I know what is right.And I’d die for the truth,In My Secret Life.”(我在愤怒时保持微笑，我欺骗，我撒谎，我做着不得已的事情，混吧。但我知道什么是错的，我知道什么是正确的，在我隐秘的生涯里，我愿意为真理而死."(摘自<上海少爷>)
The Mamas and the Papas的<dream of little dream of me>,都是很经典的曲子.反复反复地听.
写完了,再说一句:我最不擅长和最不喜欢的就是写乐评和影评
9/15/2005 戏剧几天前有机会看到现场的京剧,观众不多,可以坐到第一排,洞察细节.
不太能听清词,但是被吟唱的方式吸引."每度一字,几近一刻,"那样曲折,迂回,小心翼翼的吐气,发声. 听惯了电子,对这种缓慢的感情表达,措手不及.那是要把听者的情绪也缠绕进去的声音.
一举一动,一颦一笑也是那样慎重,讲究尺度.花旦的兰花指,是女人传情的手势,点,指,绕,收,风情便这样散发.放在锦鞋里,碎碎的莲步,柔柔的仿佛触到心里,一点,一点.
妆容和服饰都是完美的.没有半点破绽.想到自己一度迷恋日本的视觉唯美,北野武在玩偶中刻意追求的色彩细节场景,都在京剧中不露声色的征服感官.丝线,锦绣,铩羽,鹅黄,嫣红,湛青.
一切是那么那么 慢 .
出场,文戏,武戏,亮相,似乎在一段被拉伸的时光里,缓缓渗出.
是过去的生活方式,总是有从容的心态,品茗,听戏,反复琢磨其中的韵味.貌似平淡,实则繁复.
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